Per Nielsen er producer, komponist, journalist, script-editor og dramatiker. Filmfærgen.dk

Kim Toft Hansen er medieforsker ved Aalborg Universitet, hvor han gennem de seneste år har arbejdet med film, tv og litteratur. Han har især arbejdet med den nordiske krimitradition i litteratur, på film og på tv. Han deltager for tiden i forskningsprojektet What Makes Danish TV Drama Series Travel? (2014-18). Han arbejder i den forbindelse på udgivelser om tv-serien 1864, lokal/transnational/global tv-dramaproduktion samt en bog om locations i Nordic noir. 

Redaksjonssjef for Drama i NR fra 2013. Tidligere avdelingsdirektør for utvikling og produksjon ved Norsk Filminstitutt. Køhn startet sin karriere i NRK Drama i 1987, og har også jobbet for SVT Drama.Han har selv skrevet og utviklet dramaserier, og har vært involvert i nær sagt alle sider av utvikling og produksjon av drama.

Karoline Leth er filmproducer og datter af filminstruktør Jørgen Leth og har bl.a. været producer, lærer og koordinator på Den Danske Filmskole; CEO og producer på Zentropa Real – Zentropas dokumentariske division; Direktør og producer på SF Film Production. Fra 2013 virker Leth som producent ved DR Fiktion. Lige som sin far har hun en stor spændvidde i det, hun beskæftiger sig med.  Fra de smalle kort- og dokumentarfilm til de brede spillefilm og tv-drama-serier. Leth har bl.a. produceret ’The DeVilles’ instrueret af Nicole N. Horanyi; ’Defamation’ instrueret af den prisbelønnede israelske Yoav Shamir; dramaserie for TV2 skabt af Christian Torpe ’Rita sæson 1 & 2’; producent på ’Arvingerne 1, 2 & 3’ skabt af Maya Ilsøe. Leth er bl.a. executive producer på  ’Teddy Bear’ instrueret af Mads Matthiesen og ’Marie Krøyer’ instrueret af Bille August.        

Har medvirket til opstarten af DR2, TV ZULU, TV2 Charlie og siddet adskillige år i chefstolen for det samlede indhold til TV 2’s hovedkanal.Reinicke arbejder idag med strategisk udvikling inden for digitalt indhold, med flere af de største danske og Skandinaviske medievirksomheder. Derudover producerer og udvikler han traditionelle tv-koncepter, som udviklingschef for et mindre, kreativt selskab der bl.a. står bag TV2s “Natholdet”, et af de danske tv-programmer som er længst med integrationen mellem tv og de nye medier i Danmark.Underviser på Den Danske Filmskole, primært i Amerikanske tv serier og den nye guld-alder, som amerikansk tv befinder sig i.

Film director. He was admitted to The National Film School of Denmark in 1989. He graduated in 1993. His feature film debut was in 2000 with the movie Bænken (The Bench).This film started the Denmark trilogy, which portrayed situations and characters from the lower, upper and middle classes in Denmark, in that order. The stop-motion animation film Prop og Berta ( 2001) followed Bænken, but was not part of the trilogy. The trilogy continued with Arven (The Inheritance, 2003) depicting the upper class, and the middle class in Drabet (Manslaughter, 2005). In 2007 he shot a series entitled Forestillinger, broadcast on Danish television Danmarks Radio. It pivots on the same period of time from the perspective of six different people, whose life situations overlap and intertwine.With the exception of Prop og Berta, the nature of Per Fly's filmography is centered around the lives of ordinary people, being mainly (social) realistic in nature. They explore the conditions under which the characters are living, and try to validate or explain the choices they make through a detailed psychological and social depiction of the characters involved. Per Fly has written manuscripts for the three movies of the Denmark trilogy.

Malene Blenkov is a screenwriter, film and television producer.Creative Alliance.

Thomas "Dome" Karukoski is a Finland-Swedish film director. He is considered to be one of the most successful Finnish film directors with over 30 festival awards and having directed five feature films.His debut feature Beauty and the Bastard (Tyttö sinä olet tähti) showed at the Berlin International Film Festival and Tribeca Film Festival in 2006. The film, which stars Pamela Tola, concerns young people in Finland who are caught between conventional careers and more alternative forms of living.His second feature film The Home of Dark Butterflies (Tummien perhosten koti) premiered in Finland January 2008. It's a drama about Juhani, a 13-year-old castaway sent to a home for boys on an island. The Home of Dark Butterflies was nominated in ten categories for the Finnish National Film Awards, and this time Karukoski won the prize for the Best Director. Karukoski's third feature film Forbidden Fruit (Kielletty hedelmä) premiered in February 2009. Forbidden Fruit is a coming of age story about two girls who are a part of a religious sect called the Conservative Laestadianism. Forbidden Fruit raised a wide discussion of the rights of women in the sect. The film had its world premiere in the Competition of the Gothenburg Film Festival. After that the film was shown in other prestigious film festivals, such as Karlovy Vary International Film Festival and Shanghai International Film Festival winning numerous festival awards. Forbidden Fruit received theatrical distribution in France and Poland.Karukoski's fourth film was Lapland Odyssey. It's a comedy about three unemployed men setting out to find a digital TV terminal in Lapland. The road trip comedy premiered at the Toronto International Film Festival and became the number one box-office film of the year 2010. His fifth film is Heart of a Lion (Leijonasydän) where a neo-Nazi leader played by Peter Franzén falls in love with a woman who has a black son. The film had its world premiere at the Toronto International Film Festival in 2013. Heart of a Lion premiered in Finland October 18 and was an instant success at the box office.Karukoski was again nominated for Best Director in the Finnish Film Awards. With this nomination he became the first Finnish film director ever to be nominated for all of his first five feature films.

Chief Executive Officer at Nordisk Film & TV Fond from 2013. Former  Head of Production at the Finnish Film Foundation. He previously served  as VP of Nordisk Film & TV Fond from 2008 to 2010 and substitute board member from 2011 to 2013. Kemppinen has 18 year experience in film and television.

Is a Danish film producer who in 1992 with director Lars von Trier founded the Danish film company Zentropa and later its huge studio complex Filmbyen.  Peter Aalbæk Jensen has executive produced over 70 theatrical feature films and many television productions, has founded a long list of subsidiary companies and is widely regarded as the most important Danish film producer since the 1990s.

Started his film making career with experimental films and documentaries in the early 1980s. He founded The Icelandic Film Corporation in 1990, it has since become Iceland's most important film production company. The company produces his films and works with other Icelandic directors as well as producers. His international reputation led the company to build a network of internationally well-established co-production partner companies, including Lars von Trier's Zentropa and most recently, Francis Ford Coppola's American Zoetrope. His second feature Children of Nature (1991) was nominated for an Oscar as Best Foreign Language Film and it took the Grand Prize at the 4th Yubari International Fantastic Film Festival in February 1993. 

He grew up in Iceland in the sixties and so was largely influenced by American films. Despite that it was exposure to the work of Akira Kurosawa, John Ford and Nicholas Ray which proved crucial in his decision to become a filmmaker. He has worked with two of Iceland's most acclaimed novelists and script-writers. His work with Einar Már Guðmundsson includes Children Of Nature, Angels of the Universe, and Moviedays. His work with Einar Kárason includes White Whales, Devils Island, and Falcons Friðrik Þór Friðriksson is noted for the strong visual style of his films including stunning images. These films are both deeply personal and strongly rooted in the culture of Iceland, often depict characters at the crossroads of tradition and modernity. They are said to combine a wry sense of humour with a genuine solidarity with the characters.

Synnøve is the Managing Director, producer and partner in Maipo AS,
and has been with the company since its birth in 2000.

She is educated in film production in England, where she produced several short films and documentaries before returning to Norway in 1996.

Since then, she has worked both as a production manager and line-producer on a number of Norwegian feature films (e.g Elling and
Cool and crazy), before she started up as a producer in Maipo.

Redaktør for film- og tv-bladet Rushprint, skribent og filmkritiker, Kjent for sine kommentarer og filmanmeldelser i Aftenposten. Lismoen var med på å starte opp filmarrangementet Blått lerret, der han i flere år var programleder. Han har også vært fast programleder for Filmsamtalen, et filmarrangement med fordypende samtaler om film på Filmens hus i Oslo. Han er også aktiv som foredragsholder og moderator

Journalisthögskolan vid Stockholms Universitet 1989-1992, därefter verksam som journalist inom nöje och kultur, bland annat för Sveriges Televisions klassiska filmprogram Filmkrönikan. Konstnärlig ledare för Göteborg Film Festival 2007-2014 där hon startade talangutvecklingsprojektet Nordic Film Lab samt den digitala filmtjänsten Draken Film.

Nordisk Film’s Head of Nordic Co-productions and Acquisitions who has taken an active role in building ‘Nordic Blockbusters’ over the last five years. Head of Programming Copenhagen International Filmfestival 2003 – 2004. Manager Sandrew Metronome Cinema (Dagmar Teatret, Scala Biograferne, Kinopalæet) 1984 – 2003. Copenhagen International Film Festival 1993 – 1994. 

Janus Metz Pedersen er en prisvindende filminstruktør. Han er uddannet Cand. comm. på Roskilde Universitetscenter med Internationale Studier som sidefag. Janus har netop instrueret et afsnit af True Detective.

CEO of the Copenhagen Film Fund from 2013, former creative director at Eyeworks Fine and Mellow. Gammeltoft has a longstanding career as producer of feature films such as Shake it All About, Stealing Rembrandt and TV series including Album and Lulu & Leon. His long term collaboration with Henrik Ruben Genz has brought to the screens the award-winning film Terribly Happy (2008 Karlovy Vary Crystal Globe winner), Excuse Me (2012), and now the pair are working in London on the English language film Good People starring James Franco, Kate Hudson and Omar Sy. 

Jannicke har arbeidet som instruktør og manusforfatter innenfor kortfilm, dokumentarfilm og spillefilm i snart 16 år. Hun har laget flere prisbelønte filmer blant annet Klovnebarna (2005) og Sandmann – Historien om en sosialistisk supermann (2005). Hennes første spillefilm, Få meg på, for faen (2011), hadde verdenspremiere på Tribeca Film Festival hvor den ble tildelt pris for beste manus. Filmen ble nominert til seks Amandaer og vant for «Beste norske kinofilm» og ”Beste foto”. Den ble solgt til kinodistribusjon i en lang rekke land. Utdannet ved FAMU – den nasjonale filmskolen i Tsjekkia og London International Film School. Filmkonsulent ved Midtnorsk Filmsenter.

 

Tinna Ottesen er uddannet Production designer fra Danmarks Designskole & Den Danske Filmskole, og har arbejdet med dokumentarfilm, fiktionfilm, TV serier, teater & visual-installations, i roller som production designer, scenograf og kunstner. Tinna har ogsa været artistic director for Skjaldborg, den Islandske dokumentar film fest.

Lige nu er hun indskrevet i et Post-Masters Program i advanced Scenografi i A.Pass, Brussels.